Home | Early Life | Important Works | Legacy | Shop

Early Life and Work


Rachel Carson was born on May 27, 1907, on a small family farm near Springdale, Pennsylvania, just up the Allegheny River from Pittsburgh. An avid reader, she also spent a lot of time exploring around her family's 65-acre (26 ha) farm. She began writing stories (often involving animals) at age eight, and had her first story published at age eleven. She especially enjoyed the St. Nicholas Magazine (which carried her first published stories), the works of Beatrix Potter, and the novels of Gene Stratton Porter, and in her teen years, Herman Melville, Joseph Conrad and Robert Louis Stevenson. The natural world, particularly the ocean, was the common thread of her favorite literature. Carson attended Springdale's small school through tenth grade, then completed high school in nearby Parnassus, Pennsylvania, graduating in 1925 at the top of her class of forty-four students.

At the Pennsylvania College for Women (today known as Chatham University), as in high school, Carson was somewhat of a loner. She originally studied English, but switched her major to biology in January 1928, though she continued contributing to the school's student newspaper and literary supplement. Though admitted to graduate standing at Johns Hopkins University in 1928, she was forced to remain at the Pennsylvania College for Women for her senior year due to financial difficulties; she graduated magna cum laude in 1929. After a summer course at the Marine Biological Laboratory, she continued her studies in zoology and genetics at Johns Hopkins in the fall of 1929.

After her first year of graduate school, Carson became a part-time student, taking an assistantship in Raymond Pearl's laboratory, where she worked with rats and Drosophila, to earn money for tuition. After false starts with pit vipers and squirrels, she completed a dissertation project on the embryonic development of the pronephros in fish. She earned a master's degree in zoology in June 1932. She had intended to continue for a doctorate, but in 1934 Carson was forced to leave Johns Hopkins to search for a full-time teaching position to help support her family. In 1935, her father died suddenly, leaving Carson to care for her aging mother and making the financial situation even more critical. At the urging of her undergraduate biology mentor Mary Scott Skinker, she settled for a temporary position with the U.S. Bureau of Fisheries, writing radio copy for a series of weekly educational broadcasts entitled "Romance Under the Waters". The series of fifty-two seven-minute programs focused on aquatic life and was intended to generate public interest in fish biology and in the work of the bureau—a task the several writers before Carson had not managed. Carson also began submitting articles on marine life in the Chesapeake Bay, based on her research for the series, to local newspapers and magazines.

Carson's supervisor, pleased with the success of the radio series, asked her to write the introduction to a public brochure about the fisheries bureau; he also worked to secure her the first full-time position that became available. Sitting for the civil service exam, she outscored all other applicants and in 1936 became only the second woman to be hired by the Bureau of Fisheries for a full-time, professional position, as a junior aquatic biologist.

Early career and publications
At the U.S. Bureau of Fisheries, Carson's main responsibilities were to analyze and report field data on fish populations, and to write brochures and other literature for the public. Using her research and consultations with marine biologists as starting points, she also wrote a steady stream of articles for The Baltimore Sun and other newspapers. However, her family responsibilities further increased in January 1937 when her older sister died, leaving Carson as the sole breadwinner for her mother and two nieces.

In July 1937, the Atlantic Monthly accepted a revised version of an essay, "The World of Waters", that she had originally written for her first fisheries bureau brochure; her supervisor had deemed it too good for that purpose. The essay, published as "Undersea", was a vivid narrative of a journey along the ocean floor. It marked a major turning point in Carson's writing career. Publishing house Simon & Schuster, impressed by "Undersea", contacted Carson and suggested that she expand it into book form. Several years of writing resulted in Under the Sea Wind (1941), which received excellent reviews but sold poorly. In the meantime, Carson's article-writing success continued—her features appeared in Sun Magazine, Nature, and Collier's.

Carson attempted to leave the Bureau (by then transformed into the Fish and Wildlife Service) in 1945, but few jobs for naturalists were available as most money for science was focused on technical fields in the wake of the Manhattan Project. In mid-1945, Carson first encountered the subject of DDT, a revolutionary new pesticide (lauded as the "insect bomb" after the atomic bombings of Hiroshima and Nagasaki) that was only beginning to undergo tests for safety and ecological effects. DDT was but one of Carson's many writing interests at the time, and editors found the subject unappealing; she published nothing on DDT until 1962.

Carson rose within the Fish and Wildlife Service, supervising a small writing staff by 1945 and becoming chief editor of publications in 1949. Though her position provided increasing opportunities for fieldwork and freedom in choosing her writing projects, it also entailed increasingly tedious administrative responsibilities. By 1948, Carson was working on material for a second book and had made the conscious decision to begin a transition to writing full-time. That year, she took on a literary agent, Marie Rodell; they formed a close professional relationship that would last the rest of Carson's career.

Oxford University Press expressed interest in Carson's book proposal for a life history of the ocean, spurring her to complete the manuscript of what would become The Sea Around Us by early 1950.[9] Chapters appeared in Science Digest and the Yale Review—the latter chapter, "The Birth of an Island", winning the American Association for the Advancement of Science's George Westinghouse Science Writing Prize—and nine chapters were serialized in The New Yorker. The Sea Around Us remained on the New York Times’ bestseller list for 86 weeks, was abridged by Reader's Digest, won the 1952 National Book Award and the Burroughs Medal, and resulted in Carson's being awarded two honorary doctorates. She also licensed a documentary film to be based on The Sea Around Us. The book's success led to the republication of Under the Sea Wind, which also became a best-seller. With success came financial security, and Carson was able to give up her job in 1952 to concentrate on writing full time.

Carson was inundated with speaking engagements, fan mail and other correspondence regarding The Sea Around Us, along with work on the documentary script that she had secured the right to review. She was very unhappy with the final version of the script by writer, director and producer Irwin Allen; she found it untrue to the atmosphere of the book and scientifically embarrassing, describing it as "a cross between a believe-it-or-not and a breezy travelogue." She discovered, however, that her right to review the script did not extend to any control over its content. Allen proceeded in spite of Carson's objections to produce a very successful documentary. It won the 1953 Oscar for Best Documentary, but Carson was so embittered by the experience that she never again sold film rights to her work.



Rachel Carson Store 2010

 

a b c d